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And another snub for scary Carl Sagan in "Beyond the Black Rainbow" (A film I'm proud to say I saw in theaters.)
... Joking aside...
My favorite film of the year is "Cloud Atlas" but because of the divided nature of the critics, the fact that it didn't make money, the fact that the film is really for a certain type of person, and has scenes in it that are either 'hard to follow' or 'quite silly' I knew it wouldn't get nominated for much...but still am deeply surprised it didn't get anything at all not even; costumes, score, or even visual effects...makeup I guessed it might not...but I was surprised that it was a complete shutout. But especially score.
Same with "Dark Knight Rises" (On a lot of the technical categories too. But I know it won best stunt team and will probably be nominated for MTV's "Best Fight". But since Zimmer was disqualified for submitted "The Dark Knight's" score...I surely thought he'd be nominated for this one.
Last year my favorite film was "Drive" and I can't really explain why. A lot of people thought it was slow and Gosling should have talked more. I thought it had that 80's throwback feel and an operatic sense of storytelling, as well it reminded me of films like "The Taxi Driver" and crime films about a brooding loner, which is a genre I tend to enjoy. And that film was nominated for a Sound category but was snubbed for a Supporting Actor nomination for Albert Brooks.
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Two reasons I love the oscars, irregardless of if whatever I loved that year was nominated or not is ... A.) I love the hooplah, yes film hooplah, ridiculous montages, weird dresses, strange speeches, disapointments, unusually happy surprises...you know the hooplah. B.) A lot of times films I haven't heard of are nominated for things or films I just didn't care about get nominated for major awards peaks my curiousity to check those films out and sometimes I discover a film that I end up loving that I never would have thought to watch before. (Not always the case, but sometimes.)
Films, like most art speak to use on a personal level. So don't get so bent out of shape on the nominations. But irregardless of that...here is my two cents.
(This will be a long blog, in order of catagory.)
NOMINATIONS A SLOPPY SPEWING OF MY OPINIONS:
http://oscar.go.com/nominees I'm not listing them all out so here they are.
Sound Editing and Sound Mixing: Who cares. I mean sound mixing is phenominally important...but why don't they have a catagory for you know "Best Sound"? I don't disagree with any of the nominations. But I guess all the nominees are pretty deserving.
Shorts:
This year the only one I've seen and care about is . . .
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Visual Effects:
Most of these nominations I think are pretty fine. (I haven't seen "Snow White and the Huntsman" so I don't know if either is better than "Cloud Atlas" or "Dark Knight Rises" but minus a few sequences even those films aren't peppered with special effect after special effect, "Cloud" and "Knight" have pause moments that make them less than just 'visual effects' films...so I think this catagory is fine.)
Adapted Screenplay: (Haven't read any of the scripts or nominated books.)
Original Screenplay: "Zero Dark Thirty", is forced, ovbious, and doesn't move well. It jumps from sequence to sequence and the main character is overcooked by far. It has some brilliant scenes don't get me wrong but structurally it's total crap. Maybe it reads better than it views. "Looper"
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Original song:
And the winner is . . .
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Yeah it's one of the best Bond songs in years. Oh I haven't seen Les Miserables yet...but (on principle) SCREW!!! it being nominated in this catagory. Writing a song that wasn't originally in the stageplay is a pathetic ovbious ploy to get nominated in this catagory. (Okay that was me being too harsh, I haven't heard the song, seen the film, read the Hugo novel, or even seen the stage play...but I find it hard to believe that what is considered the greatest stage musical of all time needed an addition, maybe for pacing reasons, and that that addition is better than anything in the musical. *You know the musical that's considered by many critics and musical lovers the greatest stage musical of all time.) And in that case if you're going to pick songs that were written long ago (or supposed to be)
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I haven't seen "Magic Mike" yet, heard the song in it was very good though.
Production Design:
These are fine. I might have thought "Prometheous" maybe, but then again it is similar to the same designs from Alien in the 70's so sort of a great design but just reusing designs from years ago, so I can see why it not.
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Music: (Score)
I mentioned before my surprises with "Cloud Atlas" and "Dark Knight Rises" but the scores for "Argo" and "Life of Pi" were very good. I didn't notice Bond doing anything 'original' or that different from every other Bond film so I'd say one of those could easily have replaced that.
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Foreign:
"Amour" will probably win. I haven't seen it, but it's nominated for a lot of catagories.
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I'm not familiar with any other film that's nominated. I've heard the name but don't know what they're about.
Documentary:
A lot of buzz is around "Searching for Sugar Man"
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Editing:
"Zero Dark Thirty" has a handful of good scenes but jumps time too much and it has those types of padding shots of villiagers and people and does that way too much and the ending is so long and poorly paced (Attempting to keep it in real-time) it's embarassing. I'm easily saying "Argo" for this catagory. (I haven't seen Lincoln by the way :( ) But again "Cloud Atlas" could have got something out of this catagory. But then again I knew it wouldn't.
Costuming:
I had joked after Ekio Ishioka died that she might be able to win a posthumous Costume Design Oscar...and she's nominated for "Mirror Mirror".
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She is one of those artists that has a style that's all of her own. And other than that this catagory is cool.
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Colleen Atwood is up again for 'Snow White' and Colleen is a beast. She's easily the living favorite in costumes.
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Cinematography:
"Life of Pi" should win. It tells it's story with it's camera and is beautifully inventive. And one of the best looking 3D films I've ever seen.
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"Skyfall" - Is gorgeous, almost needlessly so. It's beautiful. Deakins is a beast and legend. But the look of the film is great...it doesn't tell the story with the lens, it just looks great. Not that there is anything wrong with that, it's a rather talky . . . the rest of the noms are fine I guess. Django has some great looking stuff in it too.
Hairstyling and Makeup:
"The Hobbit" - Um Yes the Makeup and Hair work is great.
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"Les Miserables" - I haven't seen it* Maybe there is some good old age makeup or something, the rest just looks like hair or dirt on their faces. I'm not sure this one is worthy. But maybe.
"Hitchcock"
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But honestly I'd love to have seen "Prometheus". . . the old age makeup later on in the film SUCKS!!! true-dat. It looks way too packed on. (Old age is also considered the hardest to do.)
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Directing:
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Animation:
This year there isn't that foreign or independent film that no one's heard of. All of these are pretty big and sadly I've only seen two of them. And I LOVED "Wreck it Ralph" that's the winner for me.
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Actress: (Support)
These seem the obvious choices.
Actor: (Support)
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He is breathtaking and almost steals the movie for me. And this was a risk, he is horribly racist and an extremely evil villain which he plays with beautiful relish.
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But I haven't seen "Silver Lining" yet but very happy to see Bob De Niro
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Actress (Lead):
Finally an actress nominated whose character is named after Southern Fried Soul Food. "Hushpuppy" in "Beasts of the Southern Wild" historically nominated at 6 years old as one of the best performances of the year.
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Actor (Lead):
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I am very happy to see Denzel Washington here. He was brilliant in "Flight".
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BEST PICTURE:
Okay in my dreams would this have gotten nominated.
Also in my dreams. (Love this movie so much fun. But fun isn't a category, unfortunately.)
I have not seen Lincoln, Silver Linings Playbook, or Les Miserables. (Which some of my friends are lukewarm about and some have told me it's a masterstroke.) Yeah "Beasts of the Southern Wild" is quite a feat however it's still that pity, good for you, indie film nomination that's almost a shoe in because of the 10 categories stretch. "Amour" is the one that seems go be a big surprise for everyone. I've not yet seen it but do have my opinions about the director. I do hope it's excellent though. All the other ones were pretty obvious based on the buzz and other award nominations they'd get in this category.
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But out of the one's nominated...that I've seen...Django is my favorite.
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(Giving credit where credit is due - BadAss Digest had this to say, (and I pretty much agree) The Oscars are silly - I know it, you know it. They employ a lot of back-patting and politics and often have very little to do with a film's true worth. But people seem to care, and they are sort of fun. Fancy dresses, for instance, are totally fun. Predicting things and then yelling "I knew it!" is also pretty fun. Drinking games are fun.)
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